Wednesday, 26 September 2018

TEBOGO ON THE PROWL... By Petro Schonfeld





I find it exhilarating when I see women penning books like this. It is so inspiring. In this case, it is even more interesting as it is a white woman writing a study of, or appreciation of a black writer, an African, Chief O Bolaji (a Nigerian like us, if one can rub that in) 

One can see that the author does her home work very well, and meticulously touches on many aspects of four Tebogo adventures. Petro is not condescending, she appreciates many virtues of the detective, but is never afraid to criticise him. At least she admits that Tebogo is rather good at what he does, that he is 'famous'. 

'Fame' is subjective or relative anyway; but what one can stress is that the reading culture in Africa is so poor nowadays, and we should encourage the young ones to read more, and even do some research on characters like Tebogo Mokoena on the internet...the same way we were urged to do research on a character like Okonkwo, made famous by Achebe. 

After all, the internet is there now, so why can't the younger generation use it more fruitfully? Which reminds me - it seems some commentators on this work always complain that this study is confined to only the first four works in the Tebogo series. We cannot blame the author for this, since these were the books written by the time the impressive study was done/published. 

Although of course it would be much welcome if this book was updated. But already even with this one, we get a very good idea of the series. How many of the readers can claim to have read all the books in the series anyway?
- M CHUKWU
·         
Originally posted on goodreads

Tuesday, 4 September 2018

NZEOGWU. By Olusegun Obasanjo






Another controversial work by sterling statesman, Olusegun Obasanjo of Nigeria who also happens to be a dynamic, prolific writer. This is a very important work despite the polemics that surrounded its publication. 

Looked at objectively, this is an intimate profile of the man who more than anybody else was the pivot around which the first military coup in Nigeria revolved (Nzeogwu). The reader gets to know and understand Nzeogwu from the beginning of his life to his untimely death, as it were. 

The author buttresses this work with a series of letters, correspondence shared between him and Nzeogwu over the years. Many have wondered: since Nzeogwu was so close to the author (Obasanjo) and they were both (young) soldiers at the time, how come Obasanjo never had any idea that his good friend was planning something so momentous as a coup involving the most populous country in the world (Nigeria)?

I suppose “close friendships” vary, perhaps in the way that very close friends who share intense love for certain sports might yet have other very close friends who have absolutely no interest in same sports! But this is just conjecture…
 
Many contemporary reviews tend to easily conclude - especially because of this impressive work/ tribute - that Obasanjo was Nzeogwu's best friend. But perhaps this is a simplistic verdict. Adewale Ademoyega 's perspective (he was close to both of them in those days, and was one of the key men who orchestrated Nigeria's first coup) might be somewhat damning: 


"Obasanjo was also Nzeogwu's friend, so that whenever he was around, he shared the same bed with Nzeogwu. At that time Obasanjo was in the Nigerian Army Engineering Corps. He was a quiet colourless and easy going officer who did not attract any personal recognition and would not be reckoned with as revolutionary. His friendship with Nzeogwu derived mainly from the latter's ready friendliness towards all officers that were close to him." (from the book, Why We Struck)

But no matter. The formidable scholar, Isawa Elaigwu who has published major works on Yakubu Gowon (former Nigerian Head of State) has written: "Many Nigerians believe that Nzeogwu was not guided by ethnic bias but was let down by his colleagues in the execution plot". 

What is also clear is that in this work, Obasanjo presents a comprehensive picture of Nzeogwu, essentially a panegyric, but also intermittently mildly critical. We get to know Nzeogwu a lot, and hence this is a very important work for record and scholarly purposes.
- Malome Eric  (Bolaji)