A GRAIN OF WHEAT. By Ngugi wa Thiong'o

The author Ngugi is of course one of Africa's greatest ever writers. This is one of his early books, and an earlymasterpiece. But my concern here is the very tender moving love story between Gikonyo the carpenter, and Mumbi the village belle as it were. Gikonyo loves her from the beginning and his attraction for her increases as she becomes a young woman. He somewhat feels inferior to her, but works wholeheartedly on a gift he is fashioning for her. Would she like it? His joy knows no bounds when she does; and we can revel in this descriptions :

'For a moment she (Mumbi) stood there admiring the new handle ...she pranced towards the hut shouting "Mother! Come and see!" 'Sweet warmth swelled up in Gikonyo. Joy pained him. His work was done. For Mumbi's smile, for that look of appreciation, he would go on making chairs, tables, cupboards; restore leaking roofs and falling houses; repair doors and windows in all Thabai without a cent in return. He would never make money, he would remain poor, but he would have her...' How sweet - Madolyn Chukwu

30 Years Journey Towards My Ambitious Dream. By Tshepo Kukuni

BOOKS, BARDS, AND BARBS. By O. Bolaji

BOOKS BARDS AND BARBS. By O Bolaji

THE TROUBLE WITH NIGERIA. By Chinua Achebe

TWO EXCERPTS FROM THIS BOOK:

"Many Presidents, especially Third World Presidents, do not live in their country. One of the penalties of exalted power is loneliness. Harnessed to the trappings of protocol and blockaded by a buffer of grinning courtiers and sycophants, even a good and intelligent leader will gradually begin to forget what the real world looks like...."

"Nigeria is NOT a great country. It is one of the most disorderly nations in the world. It is one of the most corrupt, insensitive, inefficient places under the sun ... It is dirty, callous, noisy, ostentatious, dishonest and vulgar. In short, it is among the most unpleasant places on earth!" Achebe does not pull his punches in this work!

HONEY IN THE IVORY TOWER. By Olajire Olanlokun

Yeside Adebisi - a charismatic, intelligent warm African young lady. Here at the University she and close female friends blossom and distinguish themselves and become even more dynamic, well rounded individuals. It almost brings tears to one's eyes! One might as well comment that a patina of decency - age old values if you wish - surrounds this work, an edifying ambience as it were. One might have expected a work weaved around young women in a free environment to contain elements of prurience or sexual trajectories ; but this is in no way the case here. The usual travails, vicissitudes of tertiary education campuses - not forgetting the pressures on comely young females are evident but in an edifying manner ... Yeside is a fine young lady who holds her head high, and remains alluring and virtuous, even whilst overseas: "Yeside's good virtues warmed her to the hearts of the Allens and they often joked that Yeside looked very much like an Afro-American but her accent gave her away... " Yeside and her close female friends, Sheila and Kojo, are hard working and innovative in the campus. They even orchestrate a magazine (kudos for ladies!) finally named Fortune. The publication is a success, applauded by everybody, even the male students. The young ladies keep their eyes on the ball, and Yeside in particular gets her just deserts in the end: "On the first notice board were the results of the finalists. Conspicuously perching atop were the results of the final year students in the Department of Chemistry ... under this was the name of Yeside Adebisi with a First Class. Nobody made second class upper division, only second class lower division followed. Yeside was mobbed by her friends!" Fittingly, yes. A wholesome story and narration. - O Bolaji

CONDUCT UNBECOMING. By T. M. Aluko

Corruption ... Corruption ... CORRUPTION Another fine work of fiction by the late TM Aluko, long famed and respected for his brilliant novels; that the author was also an astute civil servant for years on end complements his forte as it were. Aluko also condemned corruption in his works, including this one. Incidentally the country here, Equatoria, is very much Nigeria as we can see from the plethora of Yoruba/Nigerian names, together with requisite proverbs and other aphorisms. Anyway, in this country corruption holds sway! This can be seen everywhere, though the main focus (apart from our narrator-protagonist William) is on a coterie of powerful figures; mainly the just departed politician, Sylvester Domingo, and Abel Abegunde bastion of immorality. We quickly learn that Sylvester, and of course Abegunde are bywords for corruption and other disgusting practices; "(Sylvester) regularly beat up his wives... moreover he was known to keep a number of mistresses..." And the dramatic Abegunde: "The one official cord that once bound me to Abel Abegunde had snapped seven years before when Alice Abegunde, my elder sister had died at child birth. Since then he had replaced the dead Alice not with one wife but with three other wives. And indications were that the replacement exercise was going to be a continuing process..." But our narrator is tainted himself character-wise, despite his constant attempts to distance himself from corruption and other sharp practices. We are surprised to learn e.g, early on that he is lusting after Dora, one of the widows of the late Silvester and sleeping with her. And the lady herself consorts with other powerful men... At least in the end there is condemnation of sorts of the widespread corrupt practices. Suggested Reading: Anatomy of Corruption in Nigeria. By S. Labanji Bolaji The Trouble with Nigeria. By Chinua Achebe The Beautyful Ones are not yet born. By Ayi Kwei Armah

DESTINATION BIAFRA. By Buchi Emecheta

 

"... One could make a case however for an androgynous interpretation of Buchi Emecheta's book, Destination Biafra. This is an ambitious, if very uneven, war novel whose militantly feminist heroine possesses both feminine and masculine characteristics. Attractive, Oxford-educated Debbie Ogedemgbe is a nurturing woman who seeks to defend and protect the women and children victimized during the Biafran war, but the masculine, aggressive side of her character is shown when she joins the army, smokes cigarettes, tosses grenades, and refuses to marry her English lover at the end of the novel.

"... It seems unlikely that Emecheta's bold if flawed attempt to imagine an androgynous African woman will be imitated, though one hopes that more women writers will subscribe to Emecheta's feminist vision..."

-  Katherine Frank 

In African Literature Today