Thursday, 18 May 2017

CURTAIN: POIROT'S LAST CASE. By Agatha Christie





Sometimes, as an African interested in reading and writing, one cannot but be jealous of the "advanced" world and its literature. Virtually everybody that side seems to be keyed in to Shakespeare, Dickens, the Brontes, Hardy, and other classical writers. ..

If only it was the same in Africa where we now have many classics in print too! (The works of Africa's Achebe, Es'kia, Soyinka, Ngugi, Dangarembga, Bessie Head, Armah etc deserve such recognition too; at least in major and African literary circles).

Hence in this work, the author skillfully exploits and harps on the character of Iago, in Shakespeare's Othello. That is the kernel of this work, and its mystery. African literature must wake up and smell the coffee. Let's have some works latching onto characters like (Achebe's) Okonkwo and Ezeulu...
- Oluseyi Bakare

Friday, 5 May 2017

MY COMMAND. By Olusegun Obasanjo





‘The author, one of Africa's most esteemed statesmen, has also been a prolific author of books over the decades, to boot. This was his first book, and from the initial publication, has remained very controversial. Sundry protagonists, critics et al seem to agree that the author hardly has a good word for other people, and apparently exaggerates his own deeds and "heroics". Reading a work by "Baba" Obasanjo often reminds one of a scolding school headmaster or such, frowning, punctilious, critical, hardly having a good word for others. And this started in the great man's debut publication, this one - almost 40 years ago. And the rumblings over the contents of this work go on even now after all these years. For example the frightening feud between Obasanjo and revered Nobel Laureate, Wole Soyinka distinctly started after this book was published. Both illustrious men have maintained different versions of what exactly transpired between them in those precarious days of the Civil War. For Soyinka however, Obasanjo is a "liar"; and Soyinka has not been the only one to cry foul over this maiden work of Obasanjo. Others - fellow military men who were also involved in the war were not happy over this work, including Benjamin Adekunle and Alani Akinrinade. Indeed, to read this book, one gets the impression that the author almost single-handedly won the war on his own; while other illustrious war veterans have maintained that the author's role was peripheral and he was just lucky to have been there when the war tapered to an end. Whatever. This book often strongly suggests that the author at the time was always sober, innovative, though wary during the war - or whatever was left of it when he became ensconced in the saddle of his "Command". We also get the impression that he was humane, he tried to fight the war with principles, and ended the horrific war, the fighting, without any iota of vindictiveness or cruelty. And he was loyal to his superiors. His comments in this book on Ojukwu who had led Biafra during the war, are unflattering. Despite the controversy, this book is well worth reading, and was published by Heinemann, a major publisher. An important addition to the many books published, based on the Nigerian civil war.’