Wednesday, 17 March 2021

MISS CALLAGHAN COMES TO GRIEF. By James Hadley Chase

 



Raven, the ruthless, unconscionable protagonist here reminds us of the evil, blood thirsty Dillon of The dead stay dumb (one of Chase's many other books).

Raven has no qualms about using women, young fresh girls, trafficking them for his own personal profits, rendering them worthless all in a bid for the accretion of his lucre. And of course Raven has no respect for human life at all. By killing at will he becomes the king of vice. And more and more women are de-humanised and debased.

How appropriate one finds it, then when the two main lieutenants of Raven ( their names hardly matter here) are avenged by such women in the end, literally torn to pieces by the "harpies" who set about them limb to limb with a knife, with ribbons of blood surrounding them.

And as for the kingpin Raven himself, he is finally arrested when another woman he is despoiling bravely gets to grips with him with a handy stone... pity she does not smash his head to smithereens though ...

But the abiding impression is how Raven destroys so many young women, crippling their resistance to prostitution in many ways. This paves the way for some old fashioned racism as in the case of poor Sadie who is incensed when she has to get so close to a negro....

We read: "...And then he was on her. The horrible rancid nigger smell of him sickened her... before he pinned her hands..." So sad for such ladies that we blacks have to stink so much, eh!

But it hardly matters. The important thing is that the evil Raven and his organisation collapse in the end... and we can see that so many women embroiled in prostitution are actually victims. Who says we don't learn everyday- - P. Lothane

Sunday, 28 February 2021

THE RETURNEES. By Elizabeth Okoh


 


‘After a bad break up, 25-year-old Osayuki Idahosa leaves behind everything she holds dear in London to return to Lagos, Nigeria: a
country she hasn't set foot in for many years. Drawn by the transformations happening in the fashion industry in the city, she accepts a job at House of Martha as their Head of PR. While waiting at Milan airport for her connecting flight to Lagos, she meets Cynthia Okoye and Kian Bajo, a wanna-be Afrobeat star. After the plane lands at the Lagos airport, they all go their separate ways but their lives will intertwine again and change the course of Osayuki's life forever.’
------

Elizabeth Okoh's debut novel, following three characters as they return to Lagos, Nigeria is the book for summer. Using her three protagonists, Okoh delves into friendship, identity and sharp contrast between rich and poor in Nigeria.

Osayuki Isahosa is running away from London and a broken heart as she heads for a new Head of PR for a fashion brand in Lagos. While waiting for her connecting flight, she meets Cynthia who does not really want to
go to Nigeria but her parents want her to do a year's service and find a purpose rather than being pampered in the UK and they also meet Kian, full of confidence and assurance that he is about to become the biggest Afrobeats star you could imagine in Nigeria.

They all go their separate ways once they land, each experiencing different sides of Lagos - Osayuki has a driver to take her to glamorous parties and to the office, Cynthia must start her training in a camp before she is assigned a teaching job, and Kian starts to realise that to get anywhere he needs to bribe people and sleep in a cramped flat with his cousin ... but slowly their lives start to intertwine.

The Returnees is a coming of age story where our three characters face unexpected love, finding a purpose down an unexpected route, and a new determination that will reshape their lives. Even though their parents are not in the same country, they are still tied to their families and tradition and Okoh explores this push and pull against expectation and wanting to have your own defined direction.

Okoh makes sure that you can't walk away from these characters and their lives by creating vivid characters who have to face twists and turns but makes sure that there are fantastic descriptions of the clothes, food and the locations. If you're looking to know more about a culture that you don't know much about then this book really pulls
you into the life of Lagos and shows you not only the highlight of boat parties and fashion shows but also the markets where you haggle for hair treatments and food.

This is a great read ... you need to read this book…

Review by Jessica – courtesy goodreads

Tuesday, 2 February 2021

THE FORNICATOR. By Philip Etemesi

 A CONTROVERSIAL WORK FROM EAST AFRICA!



In her quest to find happiness and success, Pesh⁠—a young and sexually liberated university student⁠—is thrown into a world of betrayal, heartbreak, and unfiltered lust. Her complicated relationship with her family makes life even more hellish for her. But in all the turmoil that haunts her existence, she remains strong, hoping that the dark nights will soon be replaced by much-needed dawn. Will she ever find the perfect man? Will she ever see better days?

Moraa Masalai says,

Forget 50 Shades Of Grey. This is the best erotic novel of all time for me…

Courtesy, goodreads

Monday, 25 January 2021

GARDEN HOUSE. By Eno Obong

  


 

This is the story of a (Nigerian) lady,  Mayen, charming, cosmopolitan, suave and sophisticated  - yet she is haunted by the past.  She finds love in the end, but this is not a typical "woolly" love story. This book belongs to the pantheon of outstanding imaginative works published over the decades by African women authors. The author for one writes very well and fluently, with remarkable diction. This blog is happy to reproduce just three quotations from this exquisite book here...

 "It was the worst of the slums in Lagos... roadside lined with filth; a squishy, damp-soaked, maggot ridden mass of latent putrefaction that rose in occasional heaped piles and tumbled over, spreading on all sides..."

 "(Mayen) would bear the gifts to the shrine and return with Mammywater's own gift of hymenal beads... a promise of fecundity".

 And what a tender ending to such an excellent novel! -

"She cupped his hard buttocks pressing his flesh into her flesh, parting her thighs to receive him...she felt him cleaving a path deep into her womb rocking and flowing and receding, moving with the rhythm of the sea"

 True love, and blissful consummation at last...   

Friday, 8 January 2021

A SMALL SILENCE. By Jumoke Verissimo

 


'Imprisoned for ten years for his rage against society, activist and retired academic Prof resolves to live a life of darkness after his release from prison. He holes up in his apartment, pushing away friends and family, and embraces his status as an urban legend in the neighbourhood until a knock at the door shakes his new existence. His new visitor is Desire, an orphan and final year student, who has grown up idolising Prof, following a fateful encounter in her hometown of Maroko as a child. Tentatively, the two begin to form a bond, as she returns every night at 9pm to see him. However, the darkness of the room becomes a steady torment, that threatens to drive Desire away for good. A Small Silence is an intimate and evocative debut that charges us to look again at the alienating effects of trauma and the power of solitude and darkness to ignite the imagination...'

Thursday, 3 December 2020

I WOULD RATHER STAY POOR. By James Hadley Chase



 

Yes, Dave Calvin, small time bank manager, is a cruel man, ready to do anything to make big money, including taking murder in his stride. And we know the author is quite adept at depicting ruthless, cold people. Here is a swift unnerving description of Calvin when he thinks his partner in crime would no longer be helping him:


"When he heard the lock turn, his fleshy face became hideous. He looked like a savage, his face convulsed with rage. Suddenly he spat on the carpet and clenching his fists, he began to pound them on his knees..."

For such a man, murder is of course par for the course, despite his cosmetic superficial charm. He has no qualms in taking human life; as he again admits along the line:

"... I am no stranger to murder. I murdered a number of people during the war ... not only soldiers, but also civilians who got in my way. I have waited years for the chance to get my hands on big money..."

Hence Dave has no remorse at all in not only brutally killing a harmless, innocent, shy young woman (Alice) but also setting her up as culpable for the robbery that would shock this particular society, and beyond. Will ruthless Calvin get away with it ...?

 – Lupna Avery

Tuesday, 3 November 2020

A FAMILY AFFAIR. By Sue Nyathi

 



A Family Affair is a big dramatic novel centering a family, the Mafus, and follows the lives of their three daughters, Xoliswa, Yandisa and Zandile. With a narrated time of nearly a decade, Sue Nyathi gives us more than a slice of life of a family, perfect at first glance, but faulty on closer inspection like any other family.

The story starts with an amazing setting, the youngest who has misgivings, Zandile's big fat white wedding flanked and supported by both her sisters on her way to church to marry the love of her life, Ndaba. Soon the tone is set through what Zandile's father's sisters say, BoRakgadi, about the sisters as the bridal party walks down the aisle. Both aunties body-shame Yandisa and reduce Xoliswa's status, an accomplished woman, because she is unmarried and lament their brother's agreeing to have Zandile marry before her older. Zandile has two older sisters, but they both do not expect much from Yandisa because we are the total sum of our experiences right, particularly the negative ones. Somehow society erases you once something bad happens to you even through no fault of yours.

The matriarch and the patriarch of the family, Phumla and Abraham Mafu, have a tight grip on the family using the Bible as both a staff and a rod and are on a mission to create and maintain a picture consummate to their status as founders and drivers of a megachurch. Meanwhile a cauldron is cooking. Xoliswa finds herself in a position totally different from her vision board, Yandisa ends up with a ring which costs her more than she wants to pay to keep, but will not give up and Zandile yearns for more than being a wife and mother. A question is raised by one of her Rakgadis: "Can you have both a family and a career?". Nobody asks men that. That is never offered as a choice to men. They can have both, but for women...a sacrifice has to be made.

Pretty soon things unravel. Devastating secrets threaten to spill out and as with all secrets, they cannot be hidden away forever. The daughters of the family move on to carve lives separate from their parents and we experience their different journeys, some with devastating consequences, with them.

As with all families, our parents had lives before we came along. Had dreams and hopes and had made decisions which devastated their familial relationships and this becomes glaring in the third quarter of the book when the evidence of the beginning of Abraham and Phumla's story unveils itself and Abraham's guilt drives him to an atonement of disastrous consequences. Many of us will find this part of the story so relatable and I chuckled from an encounter my siblings and I had a few years ago and how that situation turned out to be more hilarious than devastating.

As you can imagine, a story this big and this long will cover a myriad of themes. From grooming teenagers and sexually assaulting them, unplanned pregnancies and the rights of a teenage girl pertaining to an unwanted pregnancy. That theme still haunts me as a parent and as a daughter.

The romanticizing of the culture of endurance and silence as a symbol and trope of a "Strong black wife" is carried throughout the narration. From the makoti duties which border on the abusive, to the burden placed on the wife as the sole builder and carrier of the family whose main job is to make the husband happy at all costs. The in-laws expectations and role in the establishment of new families is foregrounded and we experience not only the perpetuation of patriarchal norms and customs whose sole purpose is to oppress, shame and suppress the new makoti, we also see how Zandile's identity and "womanhood" is reduced because of her birthing, childcare and housekeeping choices.

A Family Affair is not only a melodrama, it contributes to the greater discourse on Gender Based Violence, the value and worth of women in the African context, the law of inheritance in the African context, our agencies as black women which are always overshadowed by the demands of the family and how married women often defer their dreams to assist their husbands build careers and still have their contribution minimized.

Sue Nyathi interrogates important women-centric issues against the background of a collapsing Zimbabwean economy. The widening inequality gap resulting in forced migrations and the burden young families carry in supporting elderly parents. We also experience a day in the life of an affluent Zimbabwean. Such big lives mirroring the affluent American reality shows. The shopping across the border. The chauffeur-driven excursions.

A Family Affair is an important family-oriented story and reminds us that in the midst of uncertain political conditions, personal loss, gruesome experiences, we still carry on loving and supporting our parents, siblings and extended families and hope that our children experience better than we did.

This story elicited laughter because we've been hypocritical, as women, and tears because though we cry foul, change is within our reach. Once we stop accepting the perils of patriarchy and start chipping away at their systematic foundations, the world will be a better place for all genders. It is up to the women to fight this because the men have no incentive to see the dismantling of a system which solely benefits them end.

(* Courtesy Lorraine – goodreads)