Tuesday, 2 February 2021

THE FORNICATOR. By Philip Etemesi

 A CONTROVERSIAL WORK FROM EAST AFRICA!



In her quest to find happiness and success, Pesh⁠—a young and sexually liberated university student⁠—is thrown into a world of betrayal, heartbreak, and unfiltered lust. Her complicated relationship with her family makes life even more hellish for her. But in all the turmoil that haunts her existence, she remains strong, hoping that the dark nights will soon be replaced by much-needed dawn. Will she ever find the perfect man? Will she ever see better days?

Moraa Masalai says,

Forget 50 Shades Of Grey. This is the best erotic novel of all time for me…

Courtesy, goodreads

Monday, 25 January 2021

GARDEN HOUSE. By Eno Obong

  


 

This is the story of a (Nigerian) lady,  Mayen, charming, cosmopolitan, suave and sophisticated  - yet she is haunted by the past.  She finds love in the end, but this is not a typical "woolly" love story. This book belongs to the pantheon of outstanding imaginative works published over the decades by African women authors. The author for one writes very well and fluently, with remarkable diction. This blog is happy to reproduce just three quotations from this exquisite book here...

 "It was the worst of the slums in Lagos... roadside lined with filth; a squishy, damp-soaked, maggot ridden mass of latent putrefaction that rose in occasional heaped piles and tumbled over, spreading on all sides..."

 "(Mayen) would bear the gifts to the shrine and return with Mammywater's own gift of hymenal beads... a promise of fecundity".

 And what a tender ending to such an excellent novel! -

"She cupped his hard buttocks pressing his flesh into her flesh, parting her thighs to receive him...she felt him cleaving a path deep into her womb rocking and flowing and receding, moving with the rhythm of the sea"

 True love, and blissful consummation at last...   

Friday, 8 January 2021

A SMALL SILENCE. By Jumoke Verissimo

 


'Imprisoned for ten years for his rage against society, activist and retired academic Prof resolves to live a life of darkness after his release from prison. He holes up in his apartment, pushing away friends and family, and embraces his status as an urban legend in the neighbourhood until a knock at the door shakes his new existence. His new visitor is Desire, an orphan and final year student, who has grown up idolising Prof, following a fateful encounter in her hometown of Maroko as a child. Tentatively, the two begin to form a bond, as she returns every night at 9pm to see him. However, the darkness of the room becomes a steady torment, that threatens to drive Desire away for good. A Small Silence is an intimate and evocative debut that charges us to look again at the alienating effects of trauma and the power of solitude and darkness to ignite the imagination...'

Thursday, 3 December 2020

I WOULD RATHER STAY POOR. By James Hadley Chase



 

Yes, Dave Calvin, small time bank manager, is a cruel man, ready to do anything to make big money, including taking murder in his stride. And we know the author is quite adept at depicting ruthless, cold people. Here is a swift unnerving description of Calvin when he thinks his partner in crime would no longer be helping him:


"When he heard the lock turn, his fleshy face became hideous. He looked like a savage, his face convulsed with rage. Suddenly he spat on the carpet and clenching his fists, he began to pound them on his knees..."

For such a man, murder is of course par for the course, despite his cosmetic superficial charm. He has no qualms in taking human life; as he again admits along the line:

"... I am no stranger to murder. I murdered a number of people during the war ... not only soldiers, but also civilians who got in my way. I have waited years for the chance to get my hands on big money..."

Hence Dave has no remorse at all in not only brutally killing a harmless, innocent, shy young woman (Alice) but also setting her up as culpable for the robbery that would shock this particular society, and beyond. Will ruthless Calvin get away with it ...?

 – Lupna Avery

Tuesday, 3 November 2020

A FAMILY AFFAIR. By Sue Nyathi

 



A Family Affair is a big dramatic novel centering a family, the Mafus, and follows the lives of their three daughters, Xoliswa, Yandisa and Zandile. With a narrated time of nearly a decade, Sue Nyathi gives us more than a slice of life of a family, perfect at first glance, but faulty on closer inspection like any other family.

The story starts with an amazing setting, the youngest who has misgivings, Zandile's big fat white wedding flanked and supported by both her sisters on her way to church to marry the love of her life, Ndaba. Soon the tone is set through what Zandile's father's sisters say, BoRakgadi, about the sisters as the bridal party walks down the aisle. Both aunties body-shame Yandisa and reduce Xoliswa's status, an accomplished woman, because she is unmarried and lament their brother's agreeing to have Zandile marry before her older. Zandile has two older sisters, but they both do not expect much from Yandisa because we are the total sum of our experiences right, particularly the negative ones. Somehow society erases you once something bad happens to you even through no fault of yours.

The matriarch and the patriarch of the family, Phumla and Abraham Mafu, have a tight grip on the family using the Bible as both a staff and a rod and are on a mission to create and maintain a picture consummate to their status as founders and drivers of a megachurch. Meanwhile a cauldron is cooking. Xoliswa finds herself in a position totally different from her vision board, Yandisa ends up with a ring which costs her more than she wants to pay to keep, but will not give up and Zandile yearns for more than being a wife and mother. A question is raised by one of her Rakgadis: "Can you have both a family and a career?". Nobody asks men that. That is never offered as a choice to men. They can have both, but for women...a sacrifice has to be made.

Pretty soon things unravel. Devastating secrets threaten to spill out and as with all secrets, they cannot be hidden away forever. The daughters of the family move on to carve lives separate from their parents and we experience their different journeys, some with devastating consequences, with them.

As with all families, our parents had lives before we came along. Had dreams and hopes and had made decisions which devastated their familial relationships and this becomes glaring in the third quarter of the book when the evidence of the beginning of Abraham and Phumla's story unveils itself and Abraham's guilt drives him to an atonement of disastrous consequences. Many of us will find this part of the story so relatable and I chuckled from an encounter my siblings and I had a few years ago and how that situation turned out to be more hilarious than devastating.

As you can imagine, a story this big and this long will cover a myriad of themes. From grooming teenagers and sexually assaulting them, unplanned pregnancies and the rights of a teenage girl pertaining to an unwanted pregnancy. That theme still haunts me as a parent and as a daughter.

The romanticizing of the culture of endurance and silence as a symbol and trope of a "Strong black wife" is carried throughout the narration. From the makoti duties which border on the abusive, to the burden placed on the wife as the sole builder and carrier of the family whose main job is to make the husband happy at all costs. The in-laws expectations and role in the establishment of new families is foregrounded and we experience not only the perpetuation of patriarchal norms and customs whose sole purpose is to oppress, shame and suppress the new makoti, we also see how Zandile's identity and "womanhood" is reduced because of her birthing, childcare and housekeeping choices.

A Family Affair is not only a melodrama, it contributes to the greater discourse on Gender Based Violence, the value and worth of women in the African context, the law of inheritance in the African context, our agencies as black women which are always overshadowed by the demands of the family and how married women often defer their dreams to assist their husbands build careers and still have their contribution minimized.

Sue Nyathi interrogates important women-centric issues against the background of a collapsing Zimbabwean economy. The widening inequality gap resulting in forced migrations and the burden young families carry in supporting elderly parents. We also experience a day in the life of an affluent Zimbabwean. Such big lives mirroring the affluent American reality shows. The shopping across the border. The chauffeur-driven excursions.

A Family Affair is an important family-oriented story and reminds us that in the midst of uncertain political conditions, personal loss, gruesome experiences, we still carry on loving and supporting our parents, siblings and extended families and hope that our children experience better than we did.

This story elicited laughter because we've been hypocritical, as women, and tears because though we cry foul, change is within our reach. Once we stop accepting the perils of patriarchy and start chipping away at their systematic foundations, the world will be a better place for all genders. It is up to the women to fight this because the men have no incentive to see the dismantling of a system which solely benefits them end.

(* Courtesy Lorraine – goodreads)

 

 

Tuesday, 6 October 2020

LOVE'S PERSUASION. By Ola Awonubi

 



Award Winning novelist AMAKA AZIE has written thus about this work:

‘Absolutely lovely sweet romance story! And very Nigerian!!! I found myself reminiscing about office romance gossips working in the University teaching hospital Benin city, Nigeria. And how heartbreaking it could be with scandals.

‘My first book from this author.... I would definitely be reading more!!!’

Wednesday, 16 September 2020

THE DOLL'S BAD NEWS. By James Hadley Chase

Fenner - A ladies' man !



Dave Fenner - intrepid investigator, and humane to boot in his own way. He can be ruthless, and takes human life every now and then. Yet the ladies always find him so attractive and nice. I found this particularly fascinating in this work. A few samples here:

Starting with him meeting the lady, Curly early on. "...She was a blonde and her big gash-like mouth was very red with paint". Soon she is saying, "I like you. You've got nice eyes". And a bit later on, we read:

"She leaned towards him, raising her face; so because he thought she was pretty good, he kissed her. She wound her arms around his neck and held him. They stood like that for several minutes... She stood looking at him, breathing hard. "I guess I am crazy" she said, colour suddenly flooding her face..."

Some time later Fenner would meet Glorie Leadler, a young, gorgeous woman men drool over. Perhaps we should not be surprised again, that from the very beginning she likes our Fenner. Hear her talking aloud:

'"I think he's marvellous. I think he is absolutely, incredibly marvellous"

And she adds for good measure, even embarrassing Fenner: "He's the most beautiful thing I've seen. Look at his arms. Look at the size of them. Look at the set of his neck - the way he holds his head..."

Not too surprisingly, she finds her way to Fenner’s room, and bed. He does not seem to like her much, though she assures him that she would "grow on him". Certainly not for want of trying on her part, as we find out:

"She lay with her red-gold head on the pillow and looked up at him. She looked suddenly very young and defenceless. She said, 'I want to whisper'.

Fenner shook his head. 'Try another one. That one has whiskers on it.'

She reached up her two arms. 'Please!'

He bent his head and she kissed him. Her lips felt very soft against his. It was just a youthful kiss, and Fenner quite liked it..."

Lucky bloke! lol.

- Paul Lothane