This play, Kurumi, is one of the excellent plays written by Ola Rotimi. This work is based on historical accuracy. This much can be ascertained by reading the classic, HISTORY OF THE YORUBAS by Samuel Johnson. Kurunmi is a tragic story. Very tragic really. Ijaiye town is destroyed, and all the sons of Kurunmi the supreme warlord (Aare Ona Kakanfo) killed in the process as war unfolds. So much blood spilled in horrific fashion. Yet one wonders what would have happened if the Ose river had not been crossed... Kurunmi, and the plight of Aare Ona kankafos. Even in very modern times, Chief Akintola and Chief Abiola (both Are Ona Kankanfos) were beleaguered enough…
Friday, 1 June 2018
KURUNMI. By Ola Rotimi
This play, Kurumi, is one of the excellent plays written by Ola Rotimi. This work is based on historical accuracy. This much can be ascertained by reading the classic, HISTORY OF THE YORUBAS by Samuel Johnson. Kurunmi is a tragic story. Very tragic really. Ijaiye town is destroyed, and all the sons of Kurunmi the supreme warlord (Aare Ona Kakanfo) killed in the process as war unfolds. So much blood spilled in horrific fashion. Yet one wonders what would have happened if the Ose river had not been crossed... Kurunmi, and the plight of Aare Ona kankafos. Even in very modern times, Chief Akintola and Chief Abiola (both Are Ona Kankanfos) were beleaguered enough…
Friday, 25 May 2018
Symbolism in Bolaji’s Tebogo and Uriah Heep
By Raphael Mokoena
Perhaps we
do not ordinarily acknowledge symbolic devices as integral to Chief O Bolaji's
writing; or perhaps this is my own impression of this new Mystery book. No
matter. Here it seems the author is sending trenchant messages intermittently,
starting from the first chapter, Bra Uriah.
At least here is a familiar message
in Bolaji's works; the reference to copious literary allusions, books etc.
Hence it is no surprise to see the haunted, beleaguered Bra Uriah delivering a
short "homily" on books, reeling off works written by the likes of
George Eliot, Gabriel Okara, and Hadley Chase.
And what about the motif of "mamugari" (handcuffs)
late on in the narrative? The culprit is rendered immobile, harmless and
hapless once the bracelets he never reckoned with are clamped on him! Hence the
killer of the young lady in question here is at last apprehended, thanks to
Tebogo.
And in the very last chapter, what do we make of the inclusion of the
"Mannequin Challenge"? Indeed it is rather strangely and awkwardly
brought in. Note that the "Challenge", with its frozen, statuesque
implications, presages all the action in this work also abruptly drawing to a
close.
Tebogo the sleuth has triumphed - but there is no triumphalism
here...(reminds one of a bit of the much earlier Tebogo Fails ). We feel at the end
here - coerced as it were - a combination of weariness, languor and ennui,
which might be symptomatic of the author himself.
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* This book is published by Eselby Jnr Publications of South Africa. The work is dedicated to Richard "Skietreker", and Obafemi Fasanmi.
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* This book is published by Eselby Jnr Publications of South Africa. The work is dedicated to Richard "Skietreker", and Obafemi Fasanmi.
Monday, 14 May 2018
THE BURNING STAR OF NDUTU. By Shanwa
This is one of the books that fomented one’s love for
reading, appreciating books from a very young age. This was recommended text in
early days in secondary school. Even now, one recollects strongly that this was
an absorbing read, inducing excitement and fear, tapering to a breath-taking
conclusion. The mystery of the “burning star”, one realized at the end, was
some sort of trick, capable of a simple explanation. But it was the atmosphere
of youthful zest, excitement and adventure that lingered. Are modern youth of
today still weaned on such books, gripping reading, that encourages one to
relish reading? Has social media worsened things, or made them better? Do the
youth still treasure authentic reading of books? I wonder.
-
Ben Ode
Wednesday, 25 April 2018
WANT TO STAY ALIVE? By James Hadley Chase
This is one of Chase's most popular works, in Africa - over
the decades as senior citizens here tell us! What a trio of young crooks we
have here- the evil unconscionable Poke Toholo who goes on a killing spree,
Chuck, amoral and cruel but not in the Toholo class, and Meg, essentially
hapless but who has to go along with the two other men. Toholo not only has a
grievance against the rich, but has a scheme to make money, capitalising on
their fears - at least it was a lot of money when this book was published decades
ago. Toholo the Indian with his slight figure with rippling muscles spreads
incredible panic as he is not coy to kill with ruthless frenzy. Apparently the
police can not even protect potential witnesses as Toholo wipes humans out
without any sense of remorse. Tom Lepski the tough cop is on his trail, helped
a bit by a woman 'seer', not that Lepski is anything but sceptical and single
minded himself. At last Toholo and Chuck meet their end, though Meg's travails
seem to go on...
- Paul Lothane
Monday, 9 April 2018
SO LONG A LETTER. By Mariama Ba
What price
the lot of African women under what has been patent patriarchal domination for
years on end? Or specifically the plight of Moslem women in the continent? Of
course this work excellently deals with this, and has rightly been considered
something of a masterpiece for decades now. The author- now late- knew the
subject matter inside out, and her 'long letter ' here to a female friend lays
everything bare. How does a woman feel after being shoved aside by her husband for
a very young woman, one who could easily have been her own daughter in age?
What can a woman do? How does she bear the comprehensive humiliation? How does
she survive? How does she hold onto her own children - no longer kids - and
still endeavour to bring them up the right way? This magnificent work
illuminates all this with monumental empathy and pathos in its stride.
The author
is a superb writer, and introspective and quite blunt to boot. She is aware of
her status as an African woman who has had 12 children! But she is still very
much a woman. As she writes later on in this work, "...I said it
teasingly, rolling my eyes round. Eternal woman, even in mourning, you want to
make a strike, you want to seduce, arouse interest" . Her excellent
narrative certainly arouses our interest, which include the vagaries of her own
brood. We share her shock as she suddenly discovers one of her own daughter
smoking: "... A woman's mouth exhaling the acrid smell of tobacco instead
of being fragrant. A woman's teeth blackened with tobacco instead of
sparkling with whiteness' Despite her apparent broad-mindedness and stoic
approach, one cannot but wish our narrator all the best...
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